Ilan eshkeri stardust bowl

15 years ago more.!

Stardust

Is it unfair, or is it expected, to compare the score for a fantasy film to Howard Shore\'s Lord of the Rings?

Sam speaks with composer, Ilan Eshkeri, about his journey into music composition, his recent work on Ghost of Tsushima, collaborating with.

RECORD CO CATALOG NO. DG 4778094.

15 years ago more.

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In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical.

To me - and I am not alone here - this trilogy as a whole is a five-star score, so in a sense, such a comparison is really just a more specific way of giving a rating out of five stars. So

What is it about moving string lines, French horn and oboe solos, and tinkling piano that signals you\'re entering a different, magical world?

With the use of these sounds, Stardust\'s "Prologue (Through the Wall)" joins the company of The Time Machine (Badelt), Beauty and the Beast (Menken), Hook (Williams), Harry Potter and the Sorcerer\'s Stone (Williams), and all three Lord of the Rings films (Shore).

Stardust, by sound here, is most similar to The Time Machine; it differs from Hook and Lord of the Rings in tone: Hook is often fanfare-ish, and Lord of the Rings tends to be darker, while Stardust is fairly lighthearted.

Also, both these